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4. Turin Canon (1.37D)

(1,131 words)

Contributor(s): Hallo, William W.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Royal Focus; Historiography Commentary Located in the Museo Egizio in Turin, Italy, this papyrus is the most important source for the historical and chronological reconstruction of ancient Egypt. It is more than a list. Rather it originally contained a sequence of kings from Dynasty 1, with regnal years assigned to each king. Beginning with Menes (Meni), it continues down to the 19th Dynasty, the period to which this pap…

From Coffin Texts Spell 335 = Book of the Dead Spell 17 (1.10)

(1,629 words)

Author(s): Allen, James P.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary This spell, the most frequently copied of all major Egyptian funerary texts, equates the deceased’s passage from the tomb to daylight with the sun’s journey from night to day, a theme summarized in its title. It originated in the Coffin Texts and was subsequently incorporated in their New Kingdom descendant, the so-called Book of the Dead, which was known by the same title. Almost fro…

The Two Brothers (1.40)

(4,367 words)

Author(s): Lichtheim, Miriam
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Individual Focus; Narratives Commentary This is a complex and vivid tale, rich in mo…

Sinuhe (1.38)

(5,660 words)

Author(s): Lichtheim, Miriam
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Individual Focus; Narratives Commentary The numerous, i…

2. Abydos List (al) (1.37B)

(382 words)

Contributor(s): Hallo, William W.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Royal Focus; Historiography Commentary In the cenotaph of Seti I at Abydos, which was completed by Ramesses II, is found a sequential list of kings from Dynasty 1 through reigning monarch Seti of Dynasty 19. To the left of the list, stand Seti and crown–prince Ramesses who holds a papyrus containing the list that is recorded to the right. The accompanying inscription indicates that the list was made up of the beneficiari…

The Song From the Tomb of Neferhotep (1.31)

(729 words)

Author(s): Lichtheim, Miriam
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Harpers’ Songs Commentary When they first appeared in the Middle Kingdom, the texts known as Harper’s Songs were designed to praise death and the life after death. But in the famous Harper’s Song from the Tomb of King Intef, preserved in a papyrus copy, the praises of the afterlife were replaced by anxious doubts about its reality, and by the advice to make merry while alive and to shun the thought of death.…

From the “Book of Nut” (1.1)

(1,472 words)

Author(s): Allen, James P.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary This text consists of a series of captions accompanying the image of the goddess Nut stretched out as a representation of the sky, held off the earth by the atmosphere (Shu). Originally perhaps of Middle Kingdom composition, it appears on ceilings of the cenotaph of Seti I (Dynasty 19, ca. 1291–1279 bce) at Abydos and the tomb of Ramesses IV (Dynasty 20, ca. 1163–1156 bce) at Thebes; the texts were also copied, with exegesis, in two Demotic papyri…

From Coffin Texts Spell 647 (1.12)

(1,287 words)

Author(s): Allen, James P.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary The conceptual link between the creator’s fiat and its material realization in the forces and elements of the world was conceptualized by the theologians of Memphis in the creative role of their god Ptah. The earliest exposition of this theology appears in Spell 647 of the Coffin Texts. Attested in only one copy, it is a long spell identifying the deceased with all aspects of the Memphite god. The excerpts below concern Ptah’s role in the creation. From Coffin…

The Legend of the Possessed Princess (“Bentresh Stela”) (1.54)

(1,808 words)

Author(s): Lichtheim, Miriam
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Individual Focus; Pseudepigrapha Commentary A stela of black sandstone, 2.×.09 m, found in 1829 in a small, no longer extant, Ptolemaic sanctuary near the temple of Khons erected at Karnak by Ramses III. The stela was brought to Paris in 1844. The scene in the lunette shows King Ramses II offering incense before the bark of Khons–in–Thebes–Neferhotep. Behind the king, a priest offers incense before the smaller bark of Kh…

From Coffin Texts Spell 78 (1.7)

(419 words)

Author(s): Allen, James P.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary This text follows Coffin Texts Spell 76 after a few lines (Spell 77) that describe the birth of Shu through the combined metaphors of masturbation and spitting. The major theme in Spell 78 is the identification of this event with the evolution of Time in its two aspects: the permanent pattern of existence, identified with Tefnut; and the eternal repetition of life, identified with Shu. From Coffin Texts Spell 78 (1.7) Shu as the atmosphere ( CT II 19a-b) I am t…

King Lists (1.37)

(563 words)

Author(s): Hoffmeier, James K.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Royal Focus; Historiography Commentary King–lists of various types abound in ancient Egyptian sources. Technically, a collection of three or more names is a “group” and a true king–list arranges names in proper historical order and provides the length of reign. Following this definition, the only Egyptian source that meets these requirements is the Turin Canon, and it is not fully preserved. Nevertheless, the term king–l…

Book of the Dead 112 (1.20)

(593 words)

Author(s): Ritner, Robert K.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary The primary manuscript (18th Dynasty) appears in Naville (1886: pl. cxxiv), with translations in Barguet (1967:148–150), Allen (1974:91) and Faulkner1 (1985:108–109). A vignette depicts the seated gods Horus, Imsety and Hapy. Book of the Dead 112 (1.20) Subject: Lev 11:7–8; Deut 14:3, 8; Isa 65:2–5; 66:3, 17 SPELL FOR KNOWING THE SOULS OF PE. It is NN who shall say: “O marsh dwellers, those among the marsh dwellers, Mendesian women, tho…

Coffin Text 157 (1.19)

(635 words)

Author(s): Ritner, Robert K.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary This spell for “Knowing the Souls of Pe” (with its descendant Book of the Dead 112) provides a theological explanation for the Egyptian pork taboo, a prohibition never uniformly accepted (Darby et al. 1977:171–209; Miller 1990). The conclusion to the companion Coffin Text spell 158 is instructive: “Not to be said while eating pork.” No less interesting is the medical aspect of spell 1…

Two Hymns to the Sun–God (1.27)

(1,039 words)

Author(s): Lichtheim, Miriam
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Hymns Commentary In the course of the 18th Dynasty, the rise to prominence of Amun of Thebes resulted in his assimilation to the supreme god, the sun–god Re. Furthermore, the conceptual dominance of sun worship had turned the sun–god into the all–embracing creator–god who manifested himself in many forms and under many names. Thus he absorbed Amun and Horus, and he was Atum, Harakhti, and Khepri. And his vi…

Instruction of Any (1.46)

(3,379 words)

Author(s): Lichtheim, Miriam
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Individual Focus; Instructions Commentary The Instruction of Any has long been known through a single manuscript: Papyrus Boulaq 4 of the Cairo Museum, which dates from the 21st or 22nd Dynasty. Of the first pages only small fragments have remained, and the copy as a whole abounds in textual corruptions due to incomprehension on the part of the copying scribe. The introductory sentence of the work is preserved on a table…

Coffin Texts Spell 261 (1.11)

(882 words)

Author(s): Allen, James P.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary While the Heliopolitan accounts of creation concentrate primarily on the material origins of the world, they also acknowledge the role played by magic, the divine force that translated the creator’s will into reality.1 In Egyptian thought, magic has two components: conceptualization (“Perception”), which takes place in the heart; and Annunciation, the creative expression of a thought through the medium of the spoke…

From Coffin Texts Spell 80 (1.8)

(2,101 words)

Author(s): Allen, James P.
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Divine Focus; Cosmologies Commentary Following a short reprise of Spell 76 (Spell 79), this text continues the temporal theme first sounded in Spell 78 and expands it through the additional concepts of Life, identified with Shu, and the natural Order of the universe, associated with Tefnut. As part of its exposition, the spell concentrates on the notion of the One (Atum) evolving into the multiplicity of life. This inclu…

Amenemhet (1.36)

(1,724 words)

Author(s): Lichtheim, Miriam
Subject: Canonical Compositions from the Biblical World; Egyptian Canonical Compositions; Royal Focus; Instructions Commentary When first studied, the text was regarded as the genuine work of King Amenemhet I, composed by him after he had escaped an attempt on his life. The currently prevailing view is that the king was in fact assassinated in the thirtieth year of his reign, and that the text was composed by a royal scribe at the behest of the new king, Sesostris I. The attack on the king’s life is told in a deliberately veiled manner; yet there are sufficient hints in th…
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