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Naydāvūd, Murtażā Khān

(674 words)

Author(s): Houman Sarshar
Murtażā Khān Naydāvūd (Morteza Neydavood), born in 1900, was a composer and master tār player. The son of master tombak (chalice drum) player Bālā Khān, Murtażā Khān was one of twentieth-century Iran’s most renowned masters of Persian classical music. A pupil of two of the most towering figures in Persian classical music, Āqā Ḥusaynqulī (1853–1916) and Ghulām-Ḥusayn Darvīsh (Darvīsh Khān, 1872–1926), Naydāvūd began studying the tār at the age of six and, remarkably, reached the status of ustād (master) before the age of twenty. Other than his technical and compositional contrib…

Dardashtī, Yonah

(233 words)

Author(s): Houman Sarshar
Yonah Dardashtī (1910–1993) was the only Jew to attain broad national acclaim in Iran as a master vocalist of Persian classical music. Dardashtī’s father, Ḥājī Yeshuā (a.k.a. Farajullāh), and grandfather were both famous ḥazzans. Yonah obtained his general education at Tehran’s Alliance Israélite school, and learned the basics of Persian classical vocals from his father before studying with the master vocalist Mīrzā Ḥusayn Sā'atsāz (1874–1944). Dardashtī was known for his powerful voice, broad range, and smooth modulations ( taḥrīr). One of his earlier concerts was held …